 |
 | |  | |  | |  | |  | |  | |  | |  | |  | |  | |  | |  |
| | | | | | | | | | | | | | | | | | | | | | |
| NEW VIDEOS ARE COMING SOON |
Elemuz Create Coluurz In Our Heads
For this explanation, let's define the physical phenomenon of music not as a continuous flow of sound into your ears, but
a stream of individual chunks with each chunk being an individual sound that any of the world's instruments can make.
(including the singing voice) In addition, include any varying or layered sound that your mind thinks of as a distinct
chunk. For example: chords, a group of instruments playing one note or a group of instruments playing harmonizing
notes. One of the most notable "chunks" is a glissando played on a trombone, harp, xylophone, piano or a singing voice.
Just whatever chunk of musical sound that your mind tells you is one separate "element". Each of these elements of
music we call an Elemu. (the plural is Elemuz) The Elemu enters your ear where it creates auditory sensory signals
that flow to your brain. In other words, our auditory sense allows us to hear the Elemuz. The auditory signals caused
by each Elemu create separate little mental elements that are your internal feelings of the music. Each of these little
mental elements of music we call a Coluur. (the plural is Coluurz). The 4th important key to understanding
bougaling is having a clear idea that each Elemu creates its own unique Coluur inside our head.
Coluurz Have Matching Charmmz
The 5th important key to understanding bougaling is that something inside our head says that for each
Elemu there is at least one Elemo that has a Charmm that matches its' Coluur. (Litl Crcl will be waiting for
neuroscience to explain how and why the feelings from these different physical occurrences should match)
The Coincident Timing Must Happen Inside Your Head
The 6th important key to understanding bougaling is that this matching also requires that the timing
of the Charmm must coincide with the timing of the Coluur. Understanding this requires clarity in
thinking about the time line of the two processes that are happening. It is not the timing of the physical phenomenon of
the music "chunk" propagating through the air that is matching the timing of your physical movement. It is the timing of
the Charmm inside your head matching the timing of the Coluur inside your head. For the timing of these two feelings
to match, the physical action of the Elemo must ever so slightly precede the wave of the Elemu entering your ear. We
will elaborate on the timing issue in the more complicated explanation.
We Like The Matching of Charmmz to Coluurz
When we match a Charmm to a Coluur, something inside our head really likes it. This is the 7th and most
important key to understanding bougaling, so lock onto the idea that
How MUCH this something inside your head likes the matching of Charmmz to Coluurz is a personal thing, and will vary
according to your mood and your affinity with the music.
The One Subtle Difference That Makes A Lot Of Difference
Try to absorb the fact that on some perceptive level you already knew that this matching of feeling to feeling was a
desirable thing. It is why you bob or wag your head to music, or pat your foot, or drum on the steering wheel, or any
other of a myriad of physical actions we do in response to music. If your boogie has not been stifled by your
socialization (NO dancing) or a personal insistence on logical purpose (only hard-dancing) it is why you dance. If you
are moving to music with an uninhibited attitude because of the feeling of it, then you are crossing into the edge of the
activity of bouboling, but you are going after the feelings of your movements without a clear idea of why. To bougal
you allow your body to move to the music in a similar uninhibited way but you have a specific purpose:
It may seem like a difference that is not very different, but this one little change in purpose and intent automatically
activates an astounding ability that is built into our physiology. The only catch is that you have to learn to send the part
of you that says "No-you-are-not-allowed-to-do-that!" over to the sideline. The explanation of how to do this may
seem a bit obtuse, but it should become clear and once you know what is really going on it is really not that difficult.
For this explanation, let's define the physical phenomenon of music not as a continuous flow of sound into your ears, but
a stream of individual chunks with each chunk being an individual sound that any of the world's instruments can make.
(including the singing voice) In addition, include any varying or layered sound that your mind thinks of as a distinct
chunk. For example: chords, a group of instruments playing one note or a group of instruments playing harmonizing
notes. One of the most notable "chunks" is a glissando played on a trombone, harp, xylophone, piano or a singing voice.
Just whatever chunk of musical sound that your mind tells you is one separate "element". Each of these elements of
music we call an Elemu. (the plural is Elemuz) The Elemu enters your ear where it creates auditory sensory signals
that flow to your brain. In other words, our auditory sense allows us to hear the Elemuz. The auditory signals caused
by each Elemu create separate little mental elements that are your internal feelings of the music. Each of these little
mental elements of music we call a Coluur. (the plural is Coluurz). The 4th important key to understanding
bougaling is having a clear idea that each Elemu creates its own unique Coluur inside our head.
Coluurz Have Matching Charmmz
The 5th important key to understanding bougaling is that something inside our head says that for each
Elemu there is at least one Elemo that has a Charmm that matches its' Coluur. (Litl Crcl will be waiting for
neuroscience to explain how and why the feelings from these different physical occurrences should match)
The Coincident Timing Must Happen Inside Your Head
The 6th important key to understanding bougaling is that this matching also requires that the timing
of the Charmm must coincide with the timing of the Coluur. Understanding this requires clarity in
thinking about the time line of the two processes that are happening. It is not the timing of the physical phenomenon of
the music "chunk" propagating through the air that is matching the timing of your physical movement. It is the timing of
the Charmm inside your head matching the timing of the Coluur inside your head. For the timing of these two feelings
to match, the physical action of the Elemo must ever so slightly precede the wave of the Elemu entering your ear. We
will elaborate on the timing issue in the more complicated explanation.
We Like The Matching of Charmmz to Coluurz
When we match a Charmm to a Coluur, something inside our head really likes it. This is the 7th and most
important key to understanding bougaling, so lock onto the idea that
How MUCH this something inside your head likes the matching of Charmmz to Coluurz is a personal thing, and will vary
according to your mood and your affinity with the music.
The One Subtle Difference That Makes A Lot Of Difference
Try to absorb the fact that on some perceptive level you already knew that this matching of feeling to feeling was a
desirable thing. It is why you bob or wag your head to music, or pat your foot, or drum on the steering wheel, or any
other of a myriad of physical actions we do in response to music. If your boogie has not been stifled by your
socialization (NO dancing) or a personal insistence on logical purpose (only hard-dancing) it is why you dance. If you
are moving to music with an uninhibited attitude because of the feeling of it, then you are crossing into the edge of the
activity of bouboling, but you are going after the feelings of your movements without a clear idea of why. To bougal
you allow your body to move to the music in a similar uninhibited way but you have a specific purpose:
It may seem like a difference that is not very different, but this one little change in purpose and intent automatically
activates an astounding ability that is built into our physiology. The only catch is that you have to learn to send the part
of you that says "No-you-are-not-allowed-to-do-that!" over to the sideline. The explanation of how to do this may
seem a bit obtuse, but it should become clear and once you know what is really going on it is really not that difficult.
| to bougal you intentionally allow your movements to flow so that the feeling in your head that is the Charmm will match the feeling in your head that is the Coluur |
when we match a Charmm to a Coluur
something inside our head really likes it
something inside our head really likes it
Now you need to learn about the i-Parts